From the 18th to the 21st  of February, Tutt’Intera by the French author Guillaume Poix will be presented at Teatro India (Rome), with the direction and interpretation of the company Bartolini/Baronio. In this frame, the author will be invited in Rome and on the 18th involved in a conference focused on the translation at the University of Rome La Sapienza. Together with Poix, there will also be the three Fabulamundi Italian translators, Simonetta Solder, Attilio Scarpellini and Monica Capuani, in order to discuss the good practices of the theatre translation in Italy.

On February the first phase of the third year of the project Europe Connection will start: the project, realized by PAV and Primavera dei Teatri festival, aims to bring international authors in the South of Italy, in order to work with local company. On 2020, three Portuguese authors have been selected: from the 9th to the 16th February, in Naples, there will be the first artistic residency with Miguel Castro Caldas on his text Were I to live you would be dead with the Company Angelo Colosimo; from February 12-19 there will be the second artistic residence, in Reggio Calabria, with the author Jacinto Lucas Pires and the company Scena Nuda, about his text Sagrada Familia.

For the third year, PAV renews its collaboration with Primavera dei Teatri Festival and the project Europe Connection, bringing three European authors to the South of Italy for working together with local companies.

In the edition of 2020 the 3 selected authors will be Miguel Castro Caldas, with his text Were I to live, you would be dead, selected by the company Angelo Colosimo; Jacinto Lucas Pires with his text Sagrada Familia, selected by the company Scena Nuda; and Joana Bertholo with her text CorpoArena, selected by the company Mammut Teatro.

From the 8th until the 10th December the three directors will be in Lisbon at Teatro Nacional D. Maria II to meet the authors and to start their collaboration.

Fabulamundi has launched a successful collaboration with the Premio Riccione Teatro with a focus entirely dedicated to Poland, which will take place on Saturday 2 November.
The day will open with a round table moderated by Graziano Graziani focusing on Polish theater with Claudia Di Giacomo and the the playwrights Ela Chowaniec and Anna Wakulik.
For the first time in Italy will be presented the mise en espace of the most famous theatrical text by Elżbieta Chowaniec: “Le Gardenie”.

The text of the Romanian author Csaba Székely “I regret nothing” will be presented at Teatro Out Off (Milan) on 29th September 2019, in the frame of the activities that the Civica Scuola Paolo Grassi realize with Fabulamundi.

Non rimpiango nulla
text by Csaba Székely

translation by Sofia Pelczer
direction and set designer by Andrea Piazza

cast Giovanni Battaglia, Michele Bottini, Maria Caggianelli Villani
tutor Sabrina Sinatti

sound designer Hubert Westkemper
light designer Daniela Bestetti with Paolo Latini, Simona Ornaghi
set designer Roberto Pio Manzotti, Alice Capoani, Mattia Franco
costume designer Enza Bianchini, Nunzia Lazzaro
video collaboration Fabio Brusadin

more information are available here

The text of the Czech author David Kostak “Milkway” will be presented at Teatro Out Off (Milan) on 27th September 2019, in the frame of the activities that the Civica Scuola Paolo Grassi realize with Fabulamundi.

MILKYWAY
text by David Kostak
translation by Eleonora Bentivogli

directed by Giacomo Nappini
with Monica Bonomi and Edoardo Barbone
Tutor Sofia Pelczer

sound designer Hubert Westkemper
light designer Daniela Bestetti with Paolo Latini, Simona Ornaghi
set designer Roberto Pio Manzotti, Alice Capoani, Mattia Franco
costume designer Enza Bianchini, Nunzia Lazzaro

more information are available here

The text of the Spanish author Esteve Soler “Against Progress” will be presented at Teatro Out Off (Milan) on 25th September 2019, in the frame of the activities that the Civica Scuola Paolo Grassi realize with Fabulamundi.

Contro il progresso – 7 pièce di teatro burlesque

text by Esteve Soler
directed by Emanuele Giorgetti

with Letizia Bravi, Marco Cacciola, Riccardo Vicardi
tutor Claudio Autelli

Set designer Pio Manzotti, Mattia Franco, Alice Capoani
sound designer Hubert Westkemper
light designer Daniela Bestetti with Paolo Latini and Simona Ornaghi
costume designer Enza Bianchini and Michela Tarallo with Nunzia Lazzaro
video Fabio Brusadin, Emanuele Giorgetti
grafic designer Sara Frigerio

more information are available here

From 23-25 September, Interkulturelles Theaterzentrum Berlin will host the Mob-Pro Germany, the three-day training programme focused on the role and the work of the playwrights in contemporary society.
The theme of this session will be Translation and it will see the involvement of international experts with the participation of eleven Fabulamundi playwrights: Katja Brunner (Germany), David Drabek (Czech Rep.), Azar Mortazavi (Austria), Artur Pałyga (Poland), Pier Lorenzo Pisano (Italy), Guillaume Poix (France), Gabriel Sandu (Romania), Fabrizio Sinisi (Italy), Robert Woelfl (Austria), Joan Yago (Spain), Petr Zelenka (Czech Rep.).
During the MobPro, on September 23rd, there will also be presented a short version of Natura morta con attori by Fabrizio Sinisi and Nationalstrasse by Czech author Jaroslav Rudis  at Haus der Statistik.

In the frame of Short Theatre 2019, French Fabulamundi author Lancelot Hamelin, will present his Italian Dreams – People of Tor Sapienza on September 12th and 13th at La Pelanda – Atelier performance. The project is a performance composed of dreams and nightmares that were assembled in Rome during Hamelin residency at Villa Medici in 2016-17. These interviews were collected from residents living in different neighbourhoods – in particular, a run-down district in the Tor Sapienza peripherical area. In July 2019 at Teatro India in Rome, the team organized a workshop to transcript the recordings made in 2017 – to compose an edited version as a script.

Italian author Pier Lorenzo Pisano will be one of the European playwrights involved in the Royal Court summer residency 2019 which has a special focus on Europe this year. The residency, a three-week programme from June 30th to July 20th, will be the chance for the writers to attend workshops, see and discuss theatre and develop a new play during their time in London.

For the second year, PAV renews its collaboration with Primavera dei Teatri Festival and the project Europe Connection, bringing three European authors to the South of Italy for working together with local companies. This year the authors selected are: Maxi Obexer with The Gostship, Victoria Szpunberg with The Speaking Machine and Esteve Soler with Against Freedom. This edition of Primavera dei Teatri will also host another Fabulamundi production, “Tout Entiere” by French author Guillaume Poix presented by the Italian company Bartolini/Baronio.

The National Theatre of Rome will run a special focus on the French author Gérard Watkins, hosting two different shows:

• from 20-30 May, the production of Je ne me souviens plus tres bien  directed by Watkins and with Gianluigi Fogacci, Federica Rosellini and Carlo Valli.
• And from May 28th to June 2nd, Scenes of domestic violence with the direction of Elena Serra and the company Teatro di Dioniso.
• In the frame of this project,  there will also be the presentation of the book curated by the publishing house CUEPress and containing these two texts translated in Italian by Monica Capuani.

On April 23rd in Rome French author Gerard Watkins will start the rehearsals of his Je ne me souviens plus tres bien, in collaboration with Italian coreographer and artist Silvia Rampelli. The show, a co-production of Teatro di Roma and Fabulamundi Playwriting Europe, will be on stage from 20-30 May at Teatro India. The project is part of a wider focus on Watkins which includes also his other text, Scenes of domestic violence, which will be presented by Teatro di Dioniso from May 28th to June 2nd.

Fabulamundi – Call for Associate Researcher

Fabulamundi Playwriting Europe is seeking a highly motivated individual to join our team as Associate Researcher for our academic research project ‘Fabulamundi Workbook: Mapping Contemporary Playwriting and Theatre Translation Practices in Europe’, led by Dr Margherita Laera, Senior Lecturer in Drama and Theatre at the University of Kent, Canterbury, UK.

This is a highly flexible part-time role which would suit a recently appointed Lecturer, post-doc, or PhD student based at any higher education institution in the EU, who could freely choose to spend their paid research time on this project. The position starts in June 2019 and ends in July 2020. The Associate Researcher will receive a small honorarium.

On March Gli Sposi by French author David Lescot directed by and with the Italian duo Frosini/Timpano will be touring all over Italy with several dates. On March 9 at Teatro Alice Zeppilli in Pieve di Cento, on March 15 at Teatro Popolare d’Arte in Lastra a Signa, on March 16 at Teatro Fulvio in Guglionesi. From 17-18 March Gli Sposi will be at Teatro del Loto in Ferrazzano, and from 21-23 March at Teatro della Tosse in Genova.

On February 6th, Teatro delle Albe will organize Avventure per nuovi mondi, a focus dedicated to the contemporary dramaturgy at Teatro Rasi in Ravenna, with readings of three Fabulamundi texts: Against progress and Against democracy by Spanish playwright Esteve Soler; The Lulu Projekt by French Magali Mougel and Fighters in Aspic by German Claudius Lünstedt.

In collaboration with Teatro di Roma, Silvia Rampelli will lead a workshop with elderly people, based on the text Akvabely by Czech author David Drabek.

AKVABELY / AQUABELLES
Alfréd Radok Award for the best original play of 2003.
A view of the contemporary generation of thirty-somethings. Three university friends conceive a secret hobby: they meet at a hidden reservoir and ”dance“ in the water.
Their furry legs are vibrating in the rhythm of music above the surface, and they experience the moment of harmony and coordination that these thirty-something adults do not experience on the ground. With party picnics after training, they just mask the cracks in their relationships.

After school their paths had diverged. Kajetán had taken the post of TV moderator and became a true celebrity. He oscillate between the models’ arms and the arms of his English teacher.
Petr stayed at the university as a lecturer and continued his stubborn struggle against consumerism. He pedantically watches his wife and son in front of the traps of civilization and exposes Kajetán to betrayal of ideals.

However, the two friends are caught off guard by Filip. He decides to stay in the reservoir forever, returning to an existence as a prehistoric water element. He feels like a beast, webs grow between his fingers. Gradually, he closes himself to the world until all is quiet.
Things take off – Petr leaves his wife, Kajetán, influenced by the loss of his friend, causes a brawl in the TV studio. Over a few seconds their certainty has crumbled to dust. In the final scene on the shore of the lake, Peter and Kajetán carry a wooden chest on their shoulders. The dark suits are open, stones fly away from their heels. They slip Philip into the waters of the lake. Peter saves insects from the surface, and Kajetán opens a “shop” with sticks, mud and leaves. At the end, two orphaned “aqua-belles” dance for their lost friend.

In spite of all its gags and humorous situations, the play is permeated with the nostalgia of a generation and in places even a frosty surreal quality. In the 2004/2005 season, the leading Czech stage director, Vladimir Morávek, staged the Aquabelles. The play won the 2003 Alfred Radok Award and later the Best Czech Play of the Year (2005).

On the 13th September, in the frame of Short Theatre Festival, will be presented the outcome of the residency of the Romanian author Bogdan Georgescu: HIC SUNT LEONESSE.

HIC SUNT LEONESSE – Ambra Angiolini, Raffaella Carrà, Amanda Lear, Iva Zanicchi, Heather Parisi – the legendary figures of the Italian television in the 90’s. Hic sunt Leonesse is an Active Art queer feminist performance. During the 90’s, in Romania, the most watched foreign TV channels were the Italian ones. Together with a group of Romanian women living in Italy, we’ll create a biographical retrospective on the imagined Italy, as it was delivered through TV shows by the feminine icons of that time and the realities discovered once their dreamed new life started in the peninsula. We will explore perspectives regarding women, macho-ism, queerness, work, depression etc. influenced by Italian television.

On the 12th September, in the frame of Short Theatre Festival, will be presented the outcome of the residency of the Romanian author Mihaela Michailov.

The emotional landscape of migration has, in the recent years, an impactful feminin face. The economics of affection center on new points of empathic departure and arrival. Who are the blurring ” “mothers of migration” and how they position themselves on the dominant political map of survival? Is their voice strong enough? How can we give them a space of visibility, challenging the critical conditions of work in a violent market of peripherical lives? What are the new maps of emotional work?

From 11th to 15th September, in the frame of Short Theatre Festival, the Italian company Vico Quarto Mazzini will presented a sound installation based on the text Paper Planes by the Romanian author Elise Wilk.

LEAVE THE KIDS ALONE

idea, design and realisation VicoQuartoMazzini
text in audio taken from Paper Planes by Elise Wilk
translated by Roberto Merlo
performing voices Michele Altamura, Simonetta Damato, Gabriele Paolocà
sound Alessandro De Rocco
photo Valerio Polici
registered at REH studio – MAT Terlizzi (Ba)

We live in a violent world and we learn this at an early age. To grow up, enter into the world of adults, means coming to terms with that violence and deciding which side of it you are on.  LEAVE THE KIDS ALONE is an immersive experience, an installation where visual and sonic elements come together out of an infantile and adolescent universe. A game room, recalling some childhood place, where an element of sound insinuates itself, a recording that tells the story of Miki, an adolescent bullied by his peers who, to get away from it all, decides to carry out an extreme gesture. The spectator hears this drama as if it were a fairy tale told to children, still living in a world of games, like a premonition, like an echo aimed at the deepest roots of one’s first encounter with violence. The narrated story comes from Paper Planes by Romanian author Elise Wilk, one of the texts chosen by Fabulamundi- Playwriting Europe for the support and promotion of contemporary dramaturgy in Europe.

LEAVE THE KIDS ALONE is one of the winning projects of the production announcement promoted by PAV, Short Theatre and Teatro i in the context of Fabulamundi Playwriting Europe.

In the frame of Short Theatre festival, on 6 and 7 September António e Cleópatra by the first Fabulamundi’s Portuguese twinned author, Tiago Rodrigues, will be on stage.

If we say one of the names, the other follows it. Our memory cannot evoke one without the other. Plutarch wrote that, from them on, love became the ability to see the world through the sensibility of someone else’s soul. They mixed love and politics and came up with a politics of love. They are a historical love story. They are a romance based on real events often romanticized about. Shakespeare built them a verbal monument that turned into the truest of truths what never happened to them. In Mankiewicz’s film that led 20th Century Fox to bankruptcy, Richard Burton and Elizabeth Taylor were the celluloid and real couple they never –and always– were.
In this show written and directed by Tiago Rodrigues, Sofia Dias and Vítor Roriz are the here -and- now duo of what they were there-and-then. They are and are not Antony and Cleopatra. They are Antony seeing the world through Cleopatra’s eyes. And vice-versa. Always vice-versa. Vice-versa as a rule of love. Vice-versa as a rule of theatre. This show is seeing the world vicariously, through the sensibility of the souls of Antony and Cleopatra.

Three texts of Fabulamundi authors have been chosen by three different Italian companies in the frame of the Festival “Primavera dei teatri”. The French author Alexandra Badea with her text “Extremophile”, the Polish author Tomasz Man with his text “111” and the Czech author Roman Sikora with “Confession of a masochist” went in Castrovillari for artistic residences. The result will be presented, as light productions, during the Festival from 30th May to 3rd June.

30th May
111 by Tomasz Man
Stage presentation by the company Zahir
Translation by Francesco Annicchiarico
Directed by Emilia Brandi

31st May
Confession of a masochist by Roman Sikora
Stage presentation by the company Rossosimona
Translation by Eleonora Bentivogli
Directed by Francesco Aiello

1st June
Extremophile by Alexandra Badea
Stage presentation by the company Nastro di Moebius
Translation by Rossana Jemma
Directed by Saverio Tavano

The Spanish author Helena Tornero will be at Teatro i (Milano) from the 17th to the 23th April.
The author will be involved in a workshop with students, an artistic residence and will be attend the stage presentation of her text “Fascinacion”.

Fascination
Fascination (Latin) 1. f. Delusion or hallucination. 2. f. Irresistible attraction.
They work all day long. A stressful, committed, misunderstood job. But three nights a week they meet there and dance. Cha-cha-cha. Rumba. Waltz. Dance classes for all. Paid for by the company. Pasodoble. Bolero. Salsa. Because the company loves them. The company is like a big family. A big family united by the same idea. And families will do anything to stay united. Fox-trot. Tango. Nothing can alter the family harmony. Swing. Nothing. One, two, three, Mambo.
Fascinación is a text that is read with the rhythms and movements of bodies that dance. That try to dance, despite their minds, fears and prejudices. Because the body does not deceive. The mind does, however, and a great deal. Ideas are barriers, walls, frontiers. The body, however, always goes one step further. The body moves. The body dances. The gesture always ends up revealing those stories that the mind tries so hard to hide.

The text “Lingua Madre Mameloschn” by the German author Sasha Marianna Salzmann will be presented at Teatro Stabile di Torino from the 6th to the 11th February.

Lingua Madre Mameloschn / Muttersprache Mameloschn (Mother Tongue Mameloschn)
by Sasha Marianna Salzmann
directed by Paola Rota
translated by Alessandra Griffoni
with Elena Callegari, Francesca Cutolo, Maria Roveran
costum designer Ursula Patzak
The italian version of the text is published by CuePress

The text “How long is now?” written and directed by the Italian author Roberto Scarpetti will be presentend at Teatro Tor Bella Monaca (Rome) on 11th December, at Teatro Artemisio (Velletri) on 12th December, at Teatro Comunale di Casperia on 16th December, at Teatro Biblioteca Quarticciolo (Rome) on 18th and 19th December and at Teatro India (Rome) on 20th December 2017.

with 
Antonietta Bello, Aglaia Mora, Giuseppe Sartori, Matteo Vignati
assistant director and scenography Elisabetta Carosio

Francesca Garolla will be led a workshop about the text Medeea or About domestic happiness by the Romanian author Roxana Marian.
The workshop is realized in collaboration with the philosophy department of the University of Milan.
The workshop will be involved students of the theoretical philosophy course in several events from the 16th November, and it will end on December 20 with an open lesson at Teatro i / Milan.

From 26 to 28 June 2017 all the partners of the project will be in Rome for the first partner meeting after winning the Creative Europe Call 2017-2020 as large scale cooperation project.

The partners of Fabulamundi are 10 in 15 European countries: in Italy, PAV – project coordinator -, AREA06/ Short Theatre Festival, Teatro i; in France ,La Mousson d’été and Théâtre Ouvert; in Germany, Interkulturelles Theaterzentrum Berlin; in Spain, Sala Beckett – Obrador Internacional de Dramatúrgia; in Romania, Teatrul National Targu-Mures and Teatrul Odeon; in Austria, Wiener Wortstaetten; in Belgium, Culture Action Europe; in Poland, Teatr Dramatyczny m.st. Warszawy; in UK, Creative Skillset and Performing Arts Network and Development Agency – PANDA; in Czech Republic, Theatre Letì.

Short Theatre 11 – keep the village alive
Rome, 7 – 18 September 2016

Pablo Gisbert | El Conde de Torrefiel – La posibilidad que desaparece frente al paisaje
8^th September (h 20.15)

Industria Indipendente | Lullaby
9^th September (h 18.30) | stage presentation – first Italian presentation of the text

Alessandra Di Lernia | Attraverso un inverno
10^th September (h 18.30) |  stage presentation  – first Italian presentation of the text
with Costanza Cosi, Alessandra Di Lernia, Gabriele Linari, Sofya Yuneeva

Sasha Marianna Salzmann | Lingua madre Mameloschn
13^th September ( h19.00)  – national premiere
translator Alessandra Griffoni
director Paola Rota
with Elena Callegari, Francesca Cutolo, Maria Roveran
costume design Ursula Patzak
set designer Sandra Viktoria Müller
lights Camilla Piccioni
production PAV

Davide Carnevali | Peppa™ prende coscienza di essere un suino / Educazione transiberiana #1
13^rd September (h 22.00)
director Davide Carnevali
actors Fabrizio Martorelli
production PianoinBilico

Sonia Chiambretto | Polices!
14^th September (h 20.45) and 15^th September (h 22.30) – national premiere
translator Gioia Costa
realized by Muta Imago
director Claudia Sorace
drama and sound Riccardo Fazi
video Maria Elena Fusacchia
lights Gianni Staropoli
with Monica Demuru
production Muta Imago and Short Theatre

For all the information visit www.shorttheatre.org

July 19th 2016 / Olinda – Teatro La Cucina (Milan – Italy)/ supported by Cariplo

The stage presentation of the text Un home amb ulleres de pasta (in it. L’uomo con gli occhiali da hipster) by the Spanish author Jordi Casanovas  will be presented at Olinda – Teatro La Cucina in Milan (Italy) on 19th July, supported by Cariplo.
Directed by Roberto Rustioni, translated by Francesca Clari (IULM University), supervised by Francesco Fava, assistant director and dramaturgy Cecilia Gaipa, with Valeria Angelozzi, Roberta Lanave, Fabrizio Lombardo, Valentino Mannias.
After the show there will be an aftertalk with the author.

About the text:
At the age of thirty, Aina has just been ditched by her partner. Laia and Òscar want to encourage her to seize the opportunity and make the dream she had left parked come true: writing. To do this, they invite a poet, Marcos, who has a gift for enamouring anyone with just a few verses, to a dinner at Aina’s house. Marcos, however, will not be satisfied with a dinner filled with trivial chitchat and he demands spiritual nourishment. Aina, Laia and Òscar watch as their lives fall apart around them. They are fragile, they have lost themselves in contemporary apathy, they have drowned in their own doubt, and he takes advantage of this.

About the author:
Playwright and theatre director. Founding director of the company FlyHard, from 2005 to 2013. Founder and artistic director of the SALAFlyHard from the 2010/2011 season until 2013. Teacher of playwriting at the Institut del Teatre, Eolia and l’Escac.
He has written around thirty texts for theatre, prominently including Ruz-Bárcenas (Teatro del Barrio, 2014), Una història catalana (TNC, 2011 and 2013), Pàtria (Teatre Lliure, 2012), Un home amb ulleres de pasta (SALAFlyHard, 2010), Sopar amb batalla (Versus Teatre, 2010), La Revolució (La Villarroel, 2009), Lena Woyzeck (Temporada Alta, 2008), La Ruïna (La Villarroel, 2008), City/Simcity (Sala Beckett/Club Capitol, 2007) and Wolfenstein (AREAtangent/Versus Teatre, 2006).
He was awarded the Ciutat de València Prize for Estralls, the Ciutat d’Alcoi Prize 2005 for Beckenbauer, the Marqués de Bradomín Prize 2005 for Andorra and the Josep Robrenyo 2002 for Les millors ocasions. The trilogy made up of Wolfenstein, Tetris and City/Simcity was awarded the Barcelona Critics Prize for the best new talent of the 2006-07 season, the Serra d’Or Critics Prize for the best theatrical text of 2006 and nominations for the Butaca and the Max Prizes. Butaca Prize for the best theatrical text of 2009 for La Revolució. Time Out Prize for the best play of 2011 for Un home amb ulleres de pasta. Butaca Prize for the best theatre text of 2011 for Una història catalana. Ciutat de Barcelona Theatre Prize 2012 for Pàtria.