Italy

"Scenari Europei 2015" is an event organized by Florian Metateatro of Pescara. During the event will be hosted two light productions of two Fabulamundi's authors: Sandrine Roche from France with My red Cheeks (Mon rouge aux joues) and Andreea Valean from Romania with If I Want To Whistle, I Whistle (Dacă vreau să fluier, fluier). Friday 18 | 22.00 | Mon rouge aux joues by Sandrine Roche (FR), translation by Gioia Costa, mise en espace by BLUEMOTION, director Giorgina Pi, con Valentina Acca, Aglaia Mora, Laura Pizzirani. Saturday 19 | 22.00 | If I want to whistle, I whistle by Andreea Valean (RO), translation by Roberto Merlo, mise en espace by BluTeatro, direction Luca Bargagna, with Viviana Altieri, Vincenzo D'Amato, Davide Gagliardini, Alessandro Meringolo, Massimo Odierna. For more info visit www.florianteatro.com

Short Theatre - 10° Edition 3-13 september 2015 La Pelanda - Rome Fabulamundi arrives at Short Theatre 2015 with four light productions! The authors invited at Short Theatre 2015 are Bonn Park from Germany with Sadness&Melancholy or the most lonesomest george of very all times (Traurigkeit&Melancholie oder der aller aller einsamste George aller aller Zeiten), Sandrine Roche from France with My red Cheeks (Mon rouge aux joues), Davide Carnevali from Italy with Confession (Confessione) and Andreea Valean from Romania with If I Want To Whistle, I Whistle (Dacă vreau să fluier, fluier). Sunday 6 | 18.30 | Confession by Davide Carnevali (IT), with Michele di Mauro Tuesday 8 | 19.00 | Sadness&Melancholy or the most lonesomest George of very all time by Bonn Park (DE), translation by Alessandra Griffoni, mise en espace by and with Lea Barletti and Werner Waas Wednesday 9 | 17.30 | Creative Europe a Roma, meeting organized by PAV and MARGINE OPERATIVO Wednesday 9 | 19.00 | Mon rouge aux joues by Sandrine Roche (FR), translation by Gioia Costa, mise en espace by BLUEMOTION, director Giorgina Pi, with Sylvia De Fanti, Aglaia Mora, Laura Pizzirani, soundscape by Valerio Vigliar Wednesday 9 | 22.45 | conversation with the authors organized by Teatro&Critica Thursday 10 | 22.15 | If I want to whistle, I whistle by Andreea Valean (RO), translation by Roberto Merlo, mise en espace BluTeatro, direction Luca Bargagna For more info visit Short Theatre website!

A journey through the contemporary theatral writing with five texts by European authors. Cured by Fausto Russo Alesi with Sandra Toffolatti, Fausto Russo Alesi, Fausto Cabra e Valentina Picello. Maddalena Giovannelli will present the event. Lait by Magdalena Barile Lilli/Heiner intra muros by Lucie Depauw Villa dolorosa by Rebekka Kricheldorf Contro il progresso by Esteve Soler Il gatto verde by Elise Wilk

The workshop is focused on the play "Villa Dolorosa - Three birthday failed" of the young German playwright Rebekka Kricheldorf, based on the Three sisters by A. Cechov. It is lead by the theatre director Roberto Rustioni. The workshop consists on the following steps: - reading of the play - attending the show Villa Dolorosa directed by Roberto Rustioni, production Fattore K, at Teatro Vascello in Rome, from 5th to 13th October 2015. - analysis of the play and its theatrical staging (characters, scenes and relationships) in comparison with the text by A. Cechov. The third step of the workshop consists in 2/3 hours per 3 or maximum 4 days and is organised in the premises of the participating school. Age of the students: 16 years old or more (high school). Participation in the workshop is free. The tickets for the show will be available for a reduced price.

The workshop is focused on the play “Neuf petites filles (Nine little girls)” of the French playwright Sandrine Roche. It is leads by the theatre company Biancofango. The workshop consists on the following steps:

• reading of the play
• analysis of the play and its theatrical staging (characters, scenes and relationships)
• the workshop consists in 3 hours per 10 days in collaboration with the National Theatre of Rome - Teatro Argentina.
• Final public presentation

Age of the students: 16 years old or more (high school). Participation in the workshop is free.

The workshop is focused on the play “If I Want To Whistle, I Whistle” of the Romanian playwright Andreea Vălean. It is leads by the theatre company Bluteatro. The workshop consists on the following steps:

• reading of the play
• analysis of the play and its theatrical staging (characters, scenes and relationships)
• the workshop consists in 2 hours per 7 days in collaboration with the National Theatre of Rome - Teatro Argentina.
• Final public presentation

Age of the students: 16 years old or more (high school). Participation in the workshop is free.

The stage presentation of "Dancefloor Memories" by Lucie Depauw will be presented at Pim Off Theatre (Milan) on 19th Febrary 2016. Translated by Benedetta Pettinelli, in the frame of student of the Master Degree in specialized translation and conference interpretation at the University IULM (Corso di Laurea Magistrale in traduzione specialistica e interpretariato di conferenza dell’Università IULM). Mise en espace by ASTORRITINTINELLI, with Alberto Astorri, Paola Tintinelli, Mr. Puma. Free entrance. After the show will be an aftertalk with the author.

Grieve about Bonn Park by Bonn Park will be at Teatro i (Milan - Italy) from 2nd to 22nd March 2016. An author died. Some people are sad. This play is about the allmighty force: Dying! And it’s very short. Piangiamo la scomparsa di Bonn Park direction by Renzo Martinelli dramaturgy by Francesca Garolla translation by Adriano Murelli with Luca Toracca, Paola Tintinelli, Vincenza Pastore, Massimo Scola light designer Mattia De Pace sound and video by Fabio Cinicola Activities - 8th March 2016 | h 14.30 | meeting about dramaturgy with the students of the Master Degree in specialized translation and conference interpretation of the University IULM (Corso di Laurea Magistrale in traduzione specialistica e interpretariato di conferenza dell’Università IULM). - 9th March 2016 | h 9.00| meeting with the students of the Master Degree in specialized translation and conference interpretation at the University IULM (Corso di Laurea Magistrale in traduzione specialistica e interpretariato di conferenza dell’Università IULM). - 9th March 2016 | h 21.00 | aftertalk with the audience For more information visit the website of Teatro i.

July 19th 2016 / Olinda – Teatro La Cucina (Milan – Italy)/ supported by Cariplo The stage presentation of the text Un home amb ulleres de pasta (in it. L'uomo con gli occhiali da hipster) by the Spanish author Jordi Casanovas  will be presented at Olinda - Teatro La Cucina in Milan (Italy) on 19th July, supported by Cariplo. Directed by Roberto Rustioni, translated by Francesca Clari (IULM University), supervised by Francesco Fava, assistant director and dramaturgy Cecilia Gaipa, with Valeria Angelozzi, Roberta Lanave, Fabrizio Lombardo, Valentino Mannias. After the show there will be an aftertalk with the author. About the text: At the age of thirty, Aina has just been ditched by her partner. Laia and Òscar want to encourage her to seize the opportunity and make the dream she had left parked come true: writing. To do this, they invite a poet, Marcos, who has a gift for enamouring anyone with just a few verses, to a dinner at Aina’s house. Marcos, however, will not be satisfied with a dinner filled with trivial chitchat and he demands spiritual nourishment. Aina, Laia and Òscar watch as their lives fall apart around them. They are fragile, they have lost themselves in contemporary apathy, they have drowned in their own doubt, and he takes advantage of this. About the author: Playwright and theatre director. Founding director of the company FlyHard, from 2005 to 2013. Founder and artistic director of the SALAFlyHard from the 2010/2011 season until 2013. Teacher of playwriting at the Institut del Teatre, Eolia and l’Escac. He has written around thirty texts for theatre, prominently including Ruz-Bárcenas (Teatro del Barrio, 2014), Una història catalana (TNC, 2011 and 2013), Pàtria (Teatre Lliure, 2012), Un home amb ulleres de pasta (SALAFlyHard, 2010), Sopar amb batalla (Versus Teatre, 2010), La Revolució (La Villarroel, 2009), Lena Woyzeck (Temporada Alta, 2008), La Ruïna (La Villarroel, 2008), City/Simcity (Sala Beckett/Club Capitol, 2007) and Wolfenstein (AREAtangent/Versus Teatre, 2006). He was awarded the Ciutat de València Prize for Estralls, the Ciutat d’Alcoi Prize 2005 for Beckenbauer, the Marqués de Bradomín Prize 2005 for Andorra and the Josep Robrenyo 2002 for Les millors ocasions. The trilogy made up of Wolfenstein, Tetris and City/Simcity was awarded the Barcelona Critics Prize for the best new talent of the 2006-07 season, the Serra d’Or Critics Prize for the best theatrical text of 2006 and nominations for the Butaca and the Max Prizes. Butaca Prize for the best theatrical text of 2009 for La Revolució. Time Out Prize for the best play of 2011 for Un home amb ulleres de pasta. Butaca Prize for the best theatre text of 2011 for Una història catalana. Ciutat de Barcelona Theatre Prize 2012 for Pàtria.

Short Theatre 11 - keep the village alive Rome, 7 - 18 September 2016 Pablo Gisbert | El Conde de Torrefiel - La posibilidad que desaparece frente al paisaje 8^th September (h 20.15) Industria Indipendente | Lullaby 9^th September (h 18.30) | stage presentation – first Italian presentation of the text Alessandra Di Lernia | Attraverso un inverno 10^th September (h 18.30) |  stage presentation  – first Italian presentation of the text with Costanza Cosi, Alessandra Di Lernia, Gabriele Linari, Sofya Yuneeva Sasha Marianna Salzmann | Lingua madre Mameloschn 13^th September ( h19.00)  – national premiere translator Alessandra Griffoni director Paola Rota with Elena Callegari, Francesca Cutolo, Maria Roveran costume design Ursula Patzak set designer Sandra Viktoria Müller lights Camilla Piccioni production PAV Davide Carnevali | Peppa™ prende coscienza di essere un suino / Educazione transiberiana #1 13^rd September (h 22.00) director Davide Carnevali actors Fabrizio Martorelli production PianoinBilico Sonia Chiambretto | Polices! 14^th September (h 20.45) and 15^th September (h 22.30) – national premiere translator Gioia Costa realized by Muta Imago director Claudia Sorace drama and sound Riccardo Fazi video Maria Elena Fusacchia lights Gianni Staropoli with Monica Demuru production Muta Imago and Short Theatre For all the information visit www.shorttheatre.org

From 26 to 28 June 2017 all the partners of the project will be in Rome for the first partner meeting after winning the Creative Europe Call 2017-2020 as large scale cooperation project.

The partners of Fabulamundi are 10 in 15 European countries: in Italy, PAV - project coordinator -, AREA06/ Short Theatre Festival, Teatro i; in France ,La Mousson d’été and Théâtre Ouvert; in Germany, Interkulturelles Theaterzentrum Berlin; in Spain, Sala Beckett - Obrador Internacional de Dramatúrgia; in Romania, Teatrul National Targu-Mures and Teatrul Odeon; in Austria, Wiener Wortstaetten; in Belgium, Culture Action Europe; in Poland, Teatr Dramatyczny m.st. Warszawy; in UK, Creative Skillset and Performing Arts Network and Development Agency - PANDA; in Czech Republic, Theatre Letì.

Francesca Garolla will be led a workshop about the text Medeea or About domestic happiness by the Romanian author Roxana Marian. The workshop is realized in collaboration with the philosophy department of the University of Milan. The workshop will be involved students of the theoretical philosophy course in several events from the 16th November, and it will end on December 20 with an open lesson at Teatro i / Milan.

The text "How long is now?" written and directed by the Italian author Roberto Scarpetti will be presentend at Teatro Tor Bella Monaca (Rome) on 11th December, at Teatro Artemisio (Velletri) on 12th December, at Teatro Comunale di Casperia on 16th December, at Teatro Biblioteca Quarticciolo (Rome) on 18th and 19th December and at Teatro India (Rome) on 20th December 2017.

with  Antonietta Bello, Aglaia Mora, Giuseppe Sartori, Matteo Vignati assistant director and scenography Elisabetta Carosio

The text "Lingua Madre Mameloschn" by the German author Sasha Marianna Salzmann will be presented at Teatro Stabile di Torino from the 6th to the 11th February. Lingua Madre Mameloschn / Muttersprache Mameloschn (Mother Tongue Mameloschn) by Sasha Marianna Salzmann directed by Paola Rota translated by Alessandra Griffoni with Elena Callegari, Francesca Cutolo, Maria Roveran costum designer Ursula Patzak The italian version of the text is published by CuePress

The Spanish author Helena Tornero will be at Teatro i (Milano) from the 17th to the 23th April. The author will be involved in a workshop with students, an artistic residence and will be attend the stage presentation of her text "Fascinacion". Fascination Fascination (Latin) 1. f. Delusion or hallucination. 2. f. Irresistible attraction. They work all day long. A stressful, committed, misunderstood job. But three nights a week they meet there and dance. Cha-cha-cha. Rumba. Waltz. Dance classes for all. Paid for by the company. Pasodoble. Bolero. Salsa. Because the company loves them. The company is like a big family. A big family united by the same idea. And families will do anything to stay united. Fox-trot. Tango. Nothing can alter the family harmony. Swing. Nothing. One, two, three, Mambo. Fascinación is a text that is read with the rhythms and movements of bodies that dance. That try to dance, despite their minds, fears and prejudices. Because the body does not deceive. The mind does, however, and a great deal. Ideas are barriers, walls, frontiers. The body, however, always goes one step further. The body moves. The body dances. The gesture always ends up revealing those stories that the mind tries so hard to hide.

Three texts of Fabulamundi authors have been chosen by three different Italian companies in the frame of the Festival "Primavera dei teatri". The French author Alexandra Badea with her text "Extremophile", the Polish author Tomasz Man with his text "111" and the Czech author Roman Sikora with "Confession of a masochist" went in Castrovillari for artistic residences. The result will be presented, as light productions, during the Festival from 30th May to 3rd June. 30th May 111 by Tomasz Man Stage presentation by the company Zahir Translation by Francesco Annicchiarico Directed by Emilia Brandi 31st May Confession of a masochist by Roman Sikora Stage presentation by the company Rossosimona Translation by Eleonora Bentivogli Directed by Francesco Aiello 1st June Extremophile by Alexandra Badea Stage presentation by the company Nastro di Moebius Translation by Rossana Jemma Directed by Saverio Tavano

On the 13th September, in the frame of Short Theatre Festival, will be presented the outcome of the residency of the Romanian author Bogdan Georgescu: HIC SUNT LEONESSE. HIC SUNT LEONESSE – Ambra Angiolini, Raffaella Carrà, Amanda Lear, Iva Zanicchi, Heather Parisi – the legendary figures of the Italian television in the 90’s. Hic sunt Leonesse is an Active Art queer feminist performance. During the 90’s, in Romania, the most watched foreign TV channels were the Italian ones. Together with a group of Romanian women living in Italy, we’ll create a biographical retrospective on the imagined Italy, as it was delivered through TV shows by the feminine icons of that time and the realities discovered once their dreamed new life started in the peninsula. We will explore perspectives regarding women, macho-ism, queerness, work, depression etc. influenced by Italian television.

On the 12th September, in the frame of Short Theatre Festival, will be presented the outcome of the residency of the Romanian author Mihaela Michailov. The emotional landscape of migration has, in the recent years, an impactful feminin face. The economics of affection center on new points of empathic departure and arrival. Who are the blurring ” “mothers of migration” and how they position themselves on the dominant political map of survival? Is their voice strong enough? How can we give them a space of visibility, challenging the critical conditions of work in a violent market of peripherical lives? What are the new maps of emotional work?

From 11th to 15th September, in the frame of Short Theatre Festival, the Italian company Vico Quarto Mazzini will presented a sound installation based on the text Paper Planes by the Romanian author Elise Wilk. LEAVE THE KIDS ALONE idea, design and realisation VicoQuartoMazzini text in audio taken from Paper Planes by Elise Wilk translated by Roberto Merlo performing voices Michele Altamura, Simonetta Damato, Gabriele Paolocà sound Alessandro De Rocco photo Valerio Polici registered at REH studio – MAT Terlizzi (Ba) We live in a violent world and we learn this at an early age. To grow up, enter into the world of adults, means coming to terms with that violence and deciding which side of it you are on.  LEAVE THE KIDS ALONE is an immersive experience, an installation where visual and sonic elements come together out of an infantile and adolescent universe. A game room, recalling some childhood place, where an element of sound insinuates itself, a recording that tells the story of Miki, an adolescent bullied by his peers who, to get away from it all, decides to carry out an extreme gesture. The spectator hears this drama as if it were a fairy tale told to children, still living in a world of games, like a premonition, like an echo aimed at the deepest roots of one’s first encounter with violence. The narrated story comes from Paper Planes by Romanian author Elise Wilk, one of the texts chosen by Fabulamundi- Playwriting Europe for the support and promotion of contemporary dramaturgy in Europe. LEAVE THE KIDS ALONE is one of the winning projects of the production announcement promoted by PAV, Short Theatre and Teatro i in the context of Fabulamundi Playwriting Europe.

In the frame of Short Theatre festival, on 6 and 7 September António e Cleópatra by the first Fabulamundi's Portuguese twinned author, Tiago Rodrigues, will be on stage. If we say one of the names, the other follows it. Our memory cannot evoke one without the other. Plutarch wrote that, from them on, love became the ability to see the world through the sensibility of someone else’s soul. They mixed love and politics and came up with a politics of love. They are a historical love story. They are a romance based on real events often romanticized about. Shakespeare built them a verbal monument that turned into the truest of truths what never happened to them. In Mankiewicz’s film that led 20th Century Fox to bankruptcy, Richard Burton and Elizabeth Taylor were the celluloid and real couple they never –and always– were. In this show written and directed by Tiago Rodrigues, Sofia Dias and Vítor Roriz are the here -and- now duo of what they were there-and-then. They are and are not Antony and Cleopatra. They are Antony seeing the world through Cleopatra’s eyes. And vice-versa. Always vice-versa. Vice-versa as a rule of love. Vice-versa as a rule of theatre. This show is seeing the world vicariously, through the sensibility of the souls of Antony and Cleopatra.

In collaboration with Teatro di Roma, Silvia Rampelli will lead a workshop with elderly people, based on the text Akvabely by Czech author David Drabek.

AKVABELY / AQUABELLES Alfréd Radok Award for the best original play of 2003. A view of the contemporary generation of thirty-somethings. Three university friends conceive a secret hobby: they meet at a hidden reservoir and ”dance“ in the water. Their furry legs are vibrating in the rhythm of music above the surface, and they experience the moment of harmony and coordination that these thirty-something adults do not experience on the ground. With party picnics after training, they just mask the cracks in their relationships.

After school their paths had diverged. Kajetán had taken the post of TV moderator and became a true celebrity. He oscillate between the models’ arms and the arms of his English teacher. Petr stayed at the university as a lecturer and continued his stubborn struggle against consumerism. He pedantically watches his wife and son in front of the traps of civilization and exposes Kajetán to betrayal of ideals.

However, the two friends are caught off guard by Filip. He decides to stay in the reservoir forever, returning to an existence as a prehistoric water element. He feels like a beast, webs grow between his fingers. Gradually, he closes himself to the world until all is quiet. Things take off – Petr leaves his wife, Kajetán, influenced by the loss of his friend, causes a brawl in the TV studio. Over a few seconds their certainty has crumbled to dust. In the final scene on the shore of the lake, Peter and Kajetán carry a wooden chest on their shoulders. The dark suits are open, stones fly away from their heels. They slip Philip into the waters of the lake. Peter saves insects from the surface, and Kajetán opens a “shop” with sticks, mud and leaves. At the end, two orphaned “aqua-belles” dance for their lost friend.

In spite of all its gags and humorous situations, the play is permeated with the nostalgia of a generation and in places even a frosty surreal quality. In the 2004/2005 season, the leading Czech stage director, Vladimir Morávek, staged the Aquabelles. The play won the 2003 Alfred Radok Award and later the Best Czech Play of the Year (2005).